Emile

Showing Tag: "solo" (Show all posts)

DailySing - 211 (9.5.2012)

Posted by Emile Dyer on Thursday, September 6, 2012, In : Daily Sing 
At some point in this process of singing every day, you hit a wall. A great wall as thick as anything you can imagine. It takes a tremendous act of will to break the lethargy and inertia.

The rolling funky fun fresh beat of tonight's jam is rhythmically varied and often interspersed with VP (vocal percussion) interludes. From a rhythmic standpoint, this sounds like a lot of fun.

I feel that my choices for solo voice in my upper range always sound the same. I'll see what I can do to break it up ...
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DailySing - 209 (8.30.2012)

Posted by Emile Dyer on Friday, August 31, 2012, In : Daily Sing 
As I listen to tonight's playback, I can hear the progress I've made in the choices I make in the recording.

I feel the vulnerability of coming up with a slammin' solo every single time the opportunity calls for it! I am too aware of every single flicker or lack of solidity in a note, to get cocky. That beautiful journey I've ensnared the audience to take with me can all come crashing down with the utterance of one single faltering note.

But I do have exhuberance, and I can feel it in all of th...
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DailySing - 185 (8.3.2012)

Posted by Emile Dyer on Saturday, August 4, 2012, In : Daily Sing 
Tonight's session was created from a snipet of a sound... Tooky-tooky!

A funky little groove surrounded my "tooky-tooky" sound at first. Then I added a percussive bridge before coming back to "tooky-tooky". By now, chest claps are my snare drum, and I start soloing in my upper register, sometimes on a jazz riff, sometimes on a 6/8 bell or clave, and even around Nayabengi. I call it the "We Will Rock You" rhythm.

Towards the end of the jam, I played with polyrhythms by combining VP with BP durin...
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DailySing - 183 (8.1.2012)

Posted by Emile Dyer on Thursday, August 2, 2012, In : Daily Sing 
I thought I'd try something different tonight and actually sing while playing another instrument, other than my body.
I used a flower pot or planter with a hole smaller than the body for the tabla-like sound. My mind wandered while I did this and I thought of a duet between voice and bass.

I also soloed and used long drawn out notes over highly rhythmic percussion. At other times, using my voice, I played rhythmic counterpoint to the fake tabla.

My explorations were often in an entirely differen...
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DailySing - 181 (7.30.2012)

Posted by Emile Dyer on Tuesday, July 31, 2012, In : Daily Sing 
P.H.A.T, funky, fresh... That's what tonight's DailySing felt like as I was creating it.

Very scary to try for words right off the bat, but it wasn't too bad, even though I went back to scatting sounds as soon as I was able. 

I liked the idea of soloing in between the lines of the bass line, but I made it too dense, so there's really no room to do anything spectacular but hit a couple of notes in the short time alloted.

I like my little vocal percussion (VP) section, along with the breaks in 6/8...
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DailySing - 175 (7.24.2012)

Posted by Emile Dyer on Wednesday, July 25, 2012, In : Daily Sing 
Wide ranging... That's what I call tonight's DailySing. I started in one rhythm and feel, and abruptly changed to something rhythmically different, while keeping the melody or a variation thereof.

I began with a laid back 4/4 , then went into a 4/4 rock steady feel. Later on, I was basically switching between a rolling 6/8 feel and the 4/4 rock steady beat. Those were my two interpretations of the melody I set up. I had a lot of fun jumping back and forth between the melody and my various solo...
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DailySing - 164 (7.13.2012)

Posted by Emile Dyer on Saturday, July 14, 2012, In : Daily Sing 
The theme for tonight... Staying Fresh!

What does that mean?
Staying fresh means not falling into known patterns, or staying away from comfortable "default settings."

From bass solos to vocal modal explorations to percussive interludes... It's all gottta be F-R-E-S-H...!!! Unused, untried, and strangely enough... innocent

I'm gonna sing now, and see if any of this applies.

Of course it was entirely not what I expected. I knew enough to keep singing, which brought me to a place of acceptance for my...
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DailySing - 163 (7.12.2012)

Posted by Emile Dyer on Friday, July 13, 2012, In : Daily Sing 
I feel tonight as if I've reached a plateau of sorts.

As went through tonight's jam, I felt like a part of me was going trough the motions as the rest of me is flowing and riding the creative wave.

I tried to break the inertia of the plateau by exploring percussive sections, lyrical vocal solos and more with an eye to getting back to my main melody.

This was only partially successful as I had a harder time coming back to the main melody toward the end.

It was still a good time!

To listen to DailyS...
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DailySing - 154 (7.3.2012)

Posted by Emile Dyer on Wednesday, July 4, 2012, In : Daily Sing 
Here it is...

The funky beat that keeps bubbling under the surface of my spirit. I decided to let it burst forth, so to speak.

It feels good to let myself be carried along. It makes me wonder if I shouldn't explore singing and scatting very rhythmically oriented material that people want to move and groove to.

I explored a little soloing in my upper register, jumping back and forth between it and the main melody.

To listen to DailySing - 154, click here after 7/9/2012.

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DailySing - 152 (7.1.2012)

Posted by Emile Dyer on Monday, July 2, 2012, In : Daily Sing 
Percussion is a part of the array of rhythmic sounds that we relegate to instruments, yet these sounds can be imitated and new ones created as part of a larger vocal vocabulary.

Instead of using vocal percussion to merely keep the beat imitating a drummer, this vocal array of percussive sounds can be incorporated with tonal sounds to enrich a solo, bass line, or main melody.

To listen to DailySing - 152, wait until after 7/9/2012, then click here.

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DailySing - 146 (6.25.2012)

Posted by Emile Dyer on Tuesday, June 26, 2012, In : Daily Sing 
Tonight's DailySing finds me experimenting... as usual!

I started with a drone which slowly resolved into something with an inherent structure. I then added a beat on mychest, which further defined the structure and allowed for the creation of a melody.

I soloed over this creation and went off on tangents with different rhythms, and time signatures, berfore coming back to the main jam time and again. After a bit, the main jam morphed into a variation, but then went further and redefined itself....
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DailySing 145 - (6.24.2012)

Posted by Emile Dyer on Monday, June 25, 2012, In : Daily Sing 
A funky little energy ball took over just as I opened my mouth tonight, and you can hear the result on the recording.

It was a field day for learning to keep the groove interesting and fun on the fly. 
I juxtaposed radically different rhythms together, divided by sections. The first split was into a slow jazz thang with swing, then I explored variations on a funky theme before coming back to the main melody. The next departure was into a tribal 6/8 PV groove, before dropping back into the 4/4 o...
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DailySing - 139 (6.18.2012)

Posted by Emile Dyer on Tuesday, June 19, 2012, In : Daily Sing 
A funky beat is what came out tonight. As usual, I was thinking about the bass and the rest is history. Many a song or chant has begun with a slammin' bass riff.

As I listen to this, I am struck by how little is needed to make sounds, and by how much is needed to make the "right" sounds. This doesn't happen, unless there is some intense concentration involved.
I can feel and hear the wall that I'm hitting, when I concentrate.

You gotta know your scales... PERIOD!!!

 It's also time to start playin...

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DailySing - 138 (6.17.2012)

Posted by Emile Dyer on Monday, June 18, 2012, In : Daily Sing 
I started tonight's DailySing with a blank slate, so that I could be true to whatever was coming through me.

While the BP helped ground the music with a mean backbeat, I left it out for long periods of time to explore my voice qualities when I solo, without the distraction of a groove. I never thought I'd ever say THAT!

Other times, I changed the beat from a straight 4/4 to a 6/8 feel to see where the different peception would take me. It made for a varied and entertaining creation.

To listen to...
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DailySing - 137 (6.16.2012)

Posted by Emile Dyer on Sunday, June 17, 2012, In : Daily Sing 
Still high from our performance at the L.A. Mixed Roots Festival and I wondered what would come of tonight's DailySing. I was not dissapointed at the results. The main theme took a few seconds to firm up once it was established, but after that is a rather extensive study of what to do if you're going to sing a long improv all by yourself.

I thoroughly enjoyed myself, as all the ideas coming out of me seemed to flow effortlessly into one another. I found dfferent ways to depart from the main th...
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DailySing - 136 (6.15.2012)

Posted by Emile Dyer on Saturday, June 16, 2012, In : Daily Sing 
I felt like Reggae tonight, but what came out, while funky, was a far cry from Reggae. The accented beat was all wrong for Reggae, but it was danceable and had a good breat.

I went through a few different ways to approach soloing, but what really stood out was the vocal percussion or VP! What started out as just a section in the improv, turned into a full scale study of how I make the various sounds, how they can be modified, how different time signatures can all hang on the same tempo.

For exa...
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DailySing - 135 (6.14.2012)

Posted by Emile Dyer on Friday, June 15, 2012, In : Daily Sing 
I did it again... Got so lost in it that I went over by almost a minute before I realized that I could stop.

I originally let a fast paced jazz idea be the launching platform, once it was sufficiently developped. I felt the need to move into a solo from my upper register. I found different melodies to use in my next solo, and even went into a bridge. That was so much fun, I then decided to indulge myself with a vp solo before getting back to the main melodic line, with variations of course.
 
Af...
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DailySing - 133 (6.12.2012)

Posted by Emile Dyer on Wednesday, June 13, 2012, In : Daily Sing 
I tried to stay open tonight, but nothing was working at first. I couldn't keep the main melody in my mind to save my neck. 

About a third of the way through, I felt better, and even went into the first of two vp solos of the evening.

Once I was able to establish a groove that I could remember, it was easier to go off exploring. My second vp solo of the evening had a North African flavor, as I was channeling a Middle - Eastern frame drum and laid down a thick pad against my chest whilst singing...
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DailySing - 132 (6.11.2012)

Posted by Emile Dyer on Tuesday, June 12, 2012, In : Daily Sing 
It took a little effort to find "it" tonight. I had different riffs in mind before I even started, and wanted to remain open with no preconceived ideas. At first, I changed ideas every time something came out of my mouth, until I settled on something that was in the moment.

Once I found a groove, Itried to stay fresh by changing rhythms, having multiple solos each based on differing parameters, a couple of vocal percussion moments and I was down to 3 minutes.

I let go even further and lost trac...
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DailySing - 131 (6.10.2012)

Posted by Emile Dyer on Monday, June 11, 2012, In : Daily Sing 
The first 10 mns of tonight's DailySing just flew by. All of a sudden, there were only 5 mns left to go.

I was able to come back to the main melody time after time this evening with no trouble.

 The explorations involved switching rhythm and tempo, spoken word, sung lyrics, solo tone work, along with body and vocal percussion.


To liten to DailySing - 131, click here.

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DailySing - 127 (6.6.2012)

Posted by Emile Dyer on Thursday, June 7, 2012, In : Daily Sing 
I started tonight with the idea of using unique, new, and different sounds for my vocal palette.

The exploration also delved into juxtaposing various time signatures and rhythms within the same musical context.

Soloing was different because even if I went to a default melodic place, I still did it in this new way with a unique, new and different sound vocabulary. I explored lead guitar improvisational lines and it wasn't easy at all. I rediscovered that an instruments dictates the development o...
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DailySing 126 - (6.5.2012)

Posted by Emile Dyer on Wednesday, June 6, 2012, In : Daily Sing 
Tonight's DailySing was about holding on, for me. After establishing an island sounding riff, I gave myself over to an exploration of solos.

I wonder, how does your instrument affect how you interprete a piece of music? 

As a guitarist, I'll listen for melodic and rhythmic cues to follow.

As a percussionist, I'll listen for a pattern between the rhythms and the melody.
As a vocalist, I listen to the silence in between the notes, and try to taylor my musical ideas to fit.
As a pianist I listen to t...
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DailySing - 123 (6.2.2012)

Posted by Emile Dyer on Sunday, June 3, 2012, In : Daily Sing 
I went about singing tonight with the same "nose to the grindstone" attitude that I had last night. This slogging through my own barriers and obstacles feels like a phase in the learning, and it doesn't feel like it'll end soon. 

I ranged far and wide in my vocal explorations tonight. To keep going in my upper register, several solos were based on the electric guitar with wah-wah pedal. 

There was a smidgeon of spoken word and some rhythmic play and some ballad-like passages.
I am very blessed t...
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DailySing - 122 (6.1.2012)

Posted by Emile Dyer on Saturday, June 2, 2012, In : Daily Sing 
Tonight I just put my head down and worked it out. I tried some spoken word right away and that felt semi-ok.

Afterwards, I explored jumping from the groove to a solo and back again.

Toward the end of the session I wanted to go back to the original melody, but couldn't remember it. Exploration outside the box began at that point. Changing rhythms, no rhythm, plenty of soaring long tones for my solo search, etc...

To listen to DailySing - 122, click here.

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DailySing - 119 (5.29.2012)

Posted by Emile Dyer on Wednesday, May 30, 2012, In : Daily Sing 
I decided to shake things up a little tonight. After establishing a groove, the first solo exploration I went into was about flowing some lyrics on the fly. Although I still suck at it, I can see a definite improvement in my delivery and word choices.

That was exciting, but I followed that phase with an exploration of my upper register as I became a guitar, horn section, bass, and finally a whole drum set. In between each foray into town... I had fun!

To listen to DailySing - 119, click here.

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DailySing - 117 (5.27.2012)

Posted by Emile Dyer on Monday, May 28, 2012, In : Daily Sing 
I enjoyed myself tonight. I started with a variation on a theme that keeps surfacing from my psyche. To put it to rest, it looks like I'm going to have to record it.

I did explored this melodic theme in more depth than I ever have before. By the time I was a third of the way through my DailySing, I had found variations on the variation I began with. I interspersed the original theme with what I had built so far, and played with different ways to solo.

The whole thing felt like it came in three ...
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DailySing - 116 (5.26.2012)

Posted by Emile Dyer on Sunday, May 27, 2012, In : Daily Sing 
This session had a playful quality for me. After establishing the melodic phrase, for my first exploration, I went all VP on it.

My second exploration centered around the upper range of my voice, the precision and clarity of my tone when I jump from one octave to another.

My third exploration used lyrics on the fly, which wasn't as difficult as I expected, but I kept it short anyway. I then followed that up with different forays into the extremes of my range. Jumping from a bass groove to the s...
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DailySing - 115 (5.25.2012)

Posted by Emile Dyer on Saturday, May 26, 2012, In : Daily Sing 
Tonight's DailySing had humor in it. While listening to the playback, I was pleased with the way I was building the jam around the main melody, then breaking everything up with two vp interludes followed by a solo exploration, into a rhythmic approach to the next solo exploration. And that's just the first third of the whole improv.

I seem to be breaking the longer jams into sections in my mind. This one started with a theme that I kept throughout the singing. It essentially has a beginning mi...
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DailySing - 114 (5.24.2012)

Posted by Emile Dyer on Friday, May 25, 2012, In : Daily Sing 
Distant... is how I felt while singing tonight's DailySing. I was in a standard jazz headspace for the longest time, and explored all kinds of permutations for solos. 

I then felt the need to change everything and got into a quick highlife beat which devolved into a funk default that I often use. I followed that with a reggae groove which slid into a ballad-like solo. I wound up at another funky default that uses some vocal percussion then back to ballad-like solo, to funky groove, to Afro fun...
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DailySing - 113 (5.23.2012)

Posted by Emile Dyer on Thursday, May 24, 2012, In : Daily Sing 
I was struck by the disparity between what we "perform" and what we glean from the playback.

While I was singing, I felt on top of the world. When I listened to the playback, my perceptions were different and I could hear the flaws that had not been evident until after the adrenaline wore off. 

Many brilliant ideas remain, and when I started tonight's DailySing, I was inpired.
There are rhythmic grooves, long strains of solo voice, vocal percussion and a lot more in this session.

To listen to Dai...
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DailySing - 108 (5.18.2012)

Posted by Emile Dyer on Saturday, May 19, 2012, In : Daily Sing 
Surreal is how tonigh's DailySing felt. I came home at 11:30 pm and didn't have any time to waste, so I went down to the car. Sitting in a dark parking garage with only the glow of my iPod on the dashboard to see by. This time, none of my neighbors walked by the car while I was clapping, making weird percussive noises, and singing at the top my lungs.

I didn't sensor myself and allowed whatever came through, to come through unchecked. I explored the upper register of my voice while soloing, an...
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DailySing - 106 (5.16.2012)

Posted by Emile Dyer on Thursday, May 17, 2012, In : Daily Sing 
When I opened my mouth tonight, rhythms came out, and I went with it. I tried layering different parts until I couldn't handle singing so many parts at once. I came back to a simple groove.

The next phase was adding a bass line to the groove along with some body percussion. From there, it was time to add a little solo in my upper range, boucing back and forth between that and the bass line.

After exploring various permutations of the groove line, I went into Nantucket Sleighride by the band Mou...
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DailySing - 101 (5.11.2012)

Posted by Emile Dyer on Saturday, May 12, 2012, In : Daily Sing 
I've been enjoying these last few DailySings because of the dynamic quality that's come through each session. Tonight was no different, but the cause was unique.

Tonight was the first meeting of what I like to call Improv Family. Several of us got together and improvised in different configurations. I then left and got dinner out in downtown Culver City. By the time I was ready to do my DailySing, I had the richness of this entire evening to draw upon.

Towards the end, I even tried to sing word...
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DailySing - 100 (5.10.2012)

Posted by Emile Dyer on Friday, May 11, 2012, In : Daily Sing 
I was tired and sleepy when I started tonight's DailySing. As groggy and grumpy as I was, I've now been energized!

I began with an exploration of my voice in its middle range, then ventured into falsetto solo territory. I explored different avenues, but eventually found myself playing with a riff from Deep Purple's Sweet Child In Time. This allowed me to play with various rhythms on my chest while exploring how to sing best with fists and hands slapping my sternum.

Vocal percussion came to the ...
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DailySing - 95 (5.5.2012)

Posted by Emile Dyer on Sunday, May 6, 2012, In : Daily Sing 
I literally started this DailySing with 14 minutes left in the day. I explored that jumping back and forth  between holding down the groove then singing in my extreme upper range, as I imitate different solo instruments, guitar, piano, trumpet...

After a while it's no longer about the kind of instrument or the different melodic choices made because of the nature of the instrument, but the examination of my extreme upper range and that dead space that comes after my highest note.

When that's ove...

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DailySing - 94 (5.4.2012)

Posted by Emile Dyer on Saturday, May 5, 2012, In : Daily Sing 
Jumped at the chance to sing in the car again. It was late and I was burnt out after a long day.

Even though I started out calmly, the more I sang, the more exhuberant I got, the more chances I took, and the more boundaries I pushed. I thoroughly explored the high end of my range tonight.

I had fun jumping from holding down the backbeat with bass and VP, to flying high in a solo at the apex of my range, and back again.

To listen to more of DailySing - 94, click here.

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DailySing - 93 (5.3.2012)

Posted by Emile Dyer on Friday, May 4, 2012, In : Daily Sing 
Tonight's DailySing felt like a jumping marathon. I jumped from one idea to the next to the next to the next to the next... without fleshing any of these brilliant ideas out.

Abandonning the rhythmic component while I explored spoken word and vocal soloing was exhilarating. The lack of rhythm gives me more freedom, but less structure. Musicality is maintained by occasional references to the melody. A little rhythm and no melody works well for spoken word also.

To listen to DailySing - 93, click...
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DailySing - 90 (4.30.2012)

Posted by Emile Dyer on Tuesday, May 1, 2012, In : Daily Sing 
Singing felt like slogging through molasses tonight. Every foray into solo exploration was a chore. I wasn't inspired and kept finding myself sliding into default mode. I had to force myself to break whatever pattern I was slipping into, with each exploratory foray.

I tried improvising with words, with cuica sounds, with different rhythms, and with singing this piece as a ballad. Breaking it down into separate categories helps my brain monitor what I have and haven't worked on.

Still, I feel th...
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DailySing - 89 (4.29.2012)

Posted by Emile Dyer on Monday, April 30, 2012, In : Daily Sing 
Tonight's DailySing was a surprise. It started a little raggedly but tightened up as I went along.
I found that I had to push the energy a bit because I am so relaxed. The Golden Bridge Community Choir Concert was today, and after the show and excitement of this long day, the adrenalin has evaporated... I could sleep for a week. 

My explorations kept coming back to variations on the same melody. I've been working on making the jump to falsetto solos from holding the bass. The idea is to hold do...
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DailySing - 75 (4.15.2012)

Posted by Emile Dyer on Monday, April 16, 2012, In : Daily Sing 
I found tonight that one of the reasons I like doing the DailySing in the car is that I can really let go. Maybe one of these days I'll explore c-r-a-z-y and "go off", encased in my relatively soundproof silver box on wheels.

Again, I started with one basic riff, stayed with it, played with it, went away on multiple solos and came back to it each time, explored inserting vocal percussion into the melody and other parts of the jam. At one point, I adapted the Happy Birthday song to it and sang ...
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DailySing - 72 (4.12.2012)

Posted by Emile Dyer on Friday, April 13, 2012, In : Daily Sing 
If I were in New York, I'd climb out onto the roof or the fire escape to do today's DailySing. But since I'm in LA, I climb into our Honda Element and rock out!

Basically, it's a funky repetitive groove that I can come back to after many a varied foray into solo-land. I begin boldly, probably because the car is a little chilly and I need to generate some heat. After playin' around a bit, I wind up with the f.r.g. (funky repetitive groove).

I'm shifting around and seeing where I can go when I st...
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DailySing - 69 (4.9.2012)

Posted by Emile Dyer on Tuesday, April 10, 2012, In : Daily Sing 
My journey tonight feels non descript, or a bit bland. It feels like I am being safe. I set up a pattern and keep coming back to it after several excursions into soloing as a voice or being one of the instruments. It feels like I stay safe within the confines of my structure...

Now that I listen to the playback, it sounds richer and more dynamic than when I was actually doing it. Perceptions are everything, it seems. 

Using my chest to beat on while I sing is not technically VP, but it really h...
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DailySing - 57 (3.28.2012)

Posted by Emile Dyer on Thursday, March 29, 2012, In : Daily Sing 
As I observe large swaths of emptiness in my inner landscape, I am also aware of a feeling of hope emerging. This feeling had me thinking thinking about and missing my son Chance. This hopeful feeling started inside me as a question, "Where are you now?"... And came out of my mouth sounding like "wee yoo - wee yoo - oo-ooaah".

I persevered with the idea of jumping from a bass line to a melody, to a harmony, then to some solo motifs, and back again. I started with a simple syncopated little rif...
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DailySing - 54 (3.25.2012)

Posted by Emile Dyer on Monday, March 26, 2012, In : Daily Sing 
I decided to start with a slow ballad-like melody to push my voice a little, to listen to my tone, to test my vocal control. I dipped, dove, soared, tumbled and spun with my voice. It was like an aerial display for my voice. Like last night's DailySing, I was trying to keep it together at the extremes of my range, by jumping back forth between the melody, the bass and solo motifs.

About halfway through, I switched from improvisation to singing Afro Blue. After a few passes I started to stretch...
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DailySing - 44 (3.15.2012)

Posted by Emile Dyer on Friday, March 16, 2012, In : Daily Sing 
Tonight''s DailySing was about the unmitigated joy of unapologetic exploration! There are some really juicy moments and some good idea development going on. I picked up the shakers and started using them, and pretty soon it became a game of "how far can I keep going?". 

The first part was mostly setting up a melodic pattern, then I added shakers and slowly slipped into riffs I grew up with, from Pink Floyd and Grand Funk Railroad. I kept jumping back and forth between a 6/8 feel and a square r...
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If you can talk, you can sing


Emile Hassan Dyer I believe that singing is our birthright, and that it is good for our brains, bodies, and spirit. Singing releases oxytocin in the brain, and many studies have shown a correlation of oxytocin with human bonding, increases in trust, feelings of calmness and security, as well as reductions in anxiety. In other words, SINGING IS GOOD FOR YOU! I get high making up music on the spot. I get high(er) when I can do it with several people at once. There's nothing like riding the crest of a creative wave, linked harmonically and rhythmically, supporting, leading, following, creating, coaxing, cajoling, p-l-a-y-i-n-g... THAT'S MY BLISS! Singing for 15 minutes a day means trusting yourself. It means clearing your mind, opening up and discovering what sounds can come out through you, if you allow it. To listen to each of my daily sings, click on the "songs" link on the left in the grey field above the most recent post or on the link at the end of each post.

Categories

My DailySing practice is inspired by Will Hewett's Sing15 practice.

You can learn more about Sing15 at www.willhewett.com.

Tags

"creative wave"percussive lyrical vocal solos melody "richard bona "sing out loud 'vp guy" riffs sounds patterns 4/4 4/4 feel 4/4 time 6/8 6/8 bell 6/8 feel 6/8 time a cappella a cappella thang abandon accented beat accents act of singing actors adaptability addendums aeolian african vocal delivery afro blue afro funk afro-cuban air flow alive ambient apex approach arc arc of the improv architecture arrange arrangements arranging art artless aspect of music atmosphere attacked the singing audience backbeat background hum balance ballad ballad-like bass bass line bass lines bass llne be the sound beat beatbox beatboxing beats berimbaus berzerker bird song birthday birthing the melodies blog blues bluesy body percussion body rhythms bp brain brassy bre bridge bridges burst carlinhos brown catchy tune cd channel chant chants choices choir chops chorus clapping claps clarity classical clave climactic crescendo codification of play cohesion color compose compositions concert conduit conscious will contemplation continuity contrasting rhythms counterpoint courage create creating creation creations creative creative drive creative spirit creative stream creativity crfting crooning crossroads cuica dailysing dailysing-162 dailysings dance danceable decrescendo deep purple delicat depth depth of expression didjeridoos discipline discovering divine play djembe dorian double time download drama drive drone drum drummer drumming duet dynamic dynamic quality dynamics dynamite jam ease of delivery echo chamber echo effect echo mic ecstacy effortless electric guitar embody the sound emotional component emotional expression emotional landscape energetic wave energized energy engaging entertained epiphany evolve exhalation into sound exhuberance exhuberant exploration explore exploring express expression facilitate falsetto falsetto solo territory feel feeling fervor flexibility flow flowin' focus foundation frame drum free fall free form improv freedom freeing freestyle fresh friends frustration fun funk funkier funky funky beat genre genres goals golden bridge community choir good beat grammy awards grateful dead grateful dead jam gratitude gravitas grok groking groove groove thang groovebox grooveboxing grooves groovesrhythms groovin' in the pocket guide guitar guitarist gusto half time hands happy accidents harmonic tangent harmonies harmony head hear highlife horn horn section horns horses hum human voice humor humour i burn for you idea development improv improv family improvisation improvisational improvisational lines improvisations improvise improvised improvised pieces improviser improvising improvs in the music influence inner landscape inner musical landscape inner musical landscapes inner soundscape innovative inspiration inspirations inspired instrument instrumentalist instruments intent interlude intervals invert ionian island jam island music jaco pastorius alley jam jamme jazz jazz phrasings jazzed jellied stone jimi hendrix jobim journey joy judgment juxtapose juxtapositons in rhythm jzzy keys kilmer kurt elling landscapes layers lesson liberating life lion's roar listen listener listening listening abilities little wing locrian long tones lost loud love lower range lullaby lydian lyrical lyrics made up language main jam main melodic groove main melodic groove riff main melody main theme mastery measure melodic melodic choices melodic content melodic jazz bass lines melodic phrases melodically melodies melody memories mic microphone mid middle range mining a musical idea mixolydian modal modalities modes modulate mojo moments of silence mood motif motifs motivation mountain mouth move muse music music is the silence between the notes musical musical choices musical current musical currents musical explorer musical idea musical ideas musical journey musical landscape musical landscapes musical path musical sensibilities musical theory musical thread musicality musicalitymelody musically musicians my art my self mystery band nantucket sleighride nayabengi neutral note notes octave octaves odd meter open channel open conduit orchestra orchestral interaction orchestrate orchestration original out of rhythm out of time overdub pact pad palette passage passion pathos pattern patterns perceptions percussion percussionist percussive percussive interlude perform performance permutations phrase phrasing phrygian pianist piano pink floyd pitch places the music takes me play playback playful playfulness polyrhythmic polyrhythms possibilities power practice precision project psychologically pulse quicas quiet quiet mind range raw reality receptive record recording reggae register rehearsal rejuvenating repetitive rhiannon rhyme rhythm rhythmic rhythmic accompaniment rhythmic application rhythmic exploration rhythmic expression rhythmic groove rhythmic play rhythmic sense rhythmically rhythms richard bona land richness riff riffs ritual rock out rock steady rolling 6/8 romantic root rounds sacred sacred play samurai cowboy sang scale scales scating scatting sculptors senses sensitivity session shakers silence simple sing sing big singer singing singing a pattern singing out loud singing universe singing when asked to singing with no map ska sleep slow lazy riff snare solo soloed soloing solos song song play songs songwriting sonic sonic region sonic vibration sonic wall sotto voce soul song sound sound wavews sounded rough sounding soundings soundproof sounds soundscape soundscapes soup of living sounds source spaces speed spirit spirit of improvisation spiritually sated spoken spoken word spoken wordsung lyrics sting story stream of consciousness string strings style sublime sung sung words surge swat sweet sweet child in time sweet in the morning sweet jane sweet spot swing symphonicities syncopation tabla taught teachers tears technique tell my feet tempi tempo tenor text the groove the opening the sweet spot the voice the waters of march the zone thematic idea theme themes thought debris thoughts throat timbre time time dilation time signature time signatures tonal tonality tone tones training transition transitions tribal trippy true trumpet truths tune turn tv un-musical unique sound toys upbeat upper range upper register val vamp variation variations varied verses vinx violin violins vitality vocal vocal drum vocal drum riffs vocal embellishments vocal exploration vocal improv vocal percussion vocal percussion interlude vocal percussion interludes solo rhythmic approach vocal percussion land vocal range vocal travel log vocal trek vocalist vocalizing voice voice qualities voice-dance voioce vp wah-wah pedal walking walking bass line warm rhythms wave weird percussive noises west african music whistled whistling will witching word words words from the heart zimbabwe