Emile

Showing Tag: "counterpoint" (Show all posts)

DailySing - 183 (8.1.2012)

Posted by Emile Dyer on Thursday, August 2, 2012, In : Daily Sing 
I thought I'd try something different tonight and actually sing while playing another instrument, other than my body.
I used a flower pot or planter with a hole smaller than the body for the tabla-like sound. My mind wandered while I did this and I thought of a duet between voice and bass.

I also soloed and used long drawn out notes over highly rhythmic percussion. At other times, using my voice, I played rhythmic counterpoint to the fake tabla.

My explorations were often in an entirely differen...
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DailySing - 166 (7.15.2012)

Posted by Emile Dyer on Monday, July 16, 2012, In : Daily Sing 
Thinking about using words on the fly, as rap, as spoken word, as sung lyrics.

Tonight's experiment went rather well. I decided to riff on  the idea of asking for help with a funky backbeat and bass line as a foundation. The lyrics were then interwoven as accents and counterpoint.

I played with a percussion section, followed by soloing with long tones, and finally focusing on content and meaning of my lyrics. The words from the heart work best...!

This was a solicitation done in song form, and a...
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DailySing - 149 (6.28.2012)

Posted by Emile Dyer on Friday, June 29, 2012, In : Daily Sing 
I tripped and fell into tonight's groove. It's one that bounces around inside my psyche and comes to the surface from time to time.

The cool thing about it coming up when I started to sing was that, with a semi-known groove, I had more freedom to experiment and play with the tempo, the rhythms, harmonies, and even some counterpoint.

Sudden departures from a theme can be attributed to my use of free will. I'm so used to feeling where the song wants to go that I rarely use my will to control outc...
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DailySing - 99 (5.9.2012)

Posted by Emile Dyer on Thursday, May 10, 2012, In : Daily Sing 
Dynamic...! That's the best way to describe today's DailySing. I've been listening to Carlinhos Brown and Kurt Elling lately and I could feel the bits and pieces I've been picking up, start to gel and make sense inside me.

I started with a rhythm which I then layered (a la Carlinhos Brown) into polyrhythms using my hands and mouth. I then added my actual voice, played with made up language, and rhythmic counterpoint. Later on in the improv, I explore how I use my voice to solo with my falsetto...
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DailySing - 95 (5.5.2012)

Posted by Emile Dyer on Sunday, May 6, 2012, In : Daily Sing 
I literally started this DailySing with 14 minutes left in the day. I explored that jumping back and forth  between holding down the groove then singing in my extreme upper range, as I imitate different solo instruments, guitar, piano, trumpet...

After a while it's no longer about the kind of instrument or the different melodic choices made because of the nature of the instrument, but the examination of my extreme upper range and that dead space that comes after my highest note.

When that's ove...

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DailySing - 57 (3.28.2012)

Posted by Emile Dyer on Thursday, March 29, 2012, In : Daily Sing 
As I observe large swaths of emptiness in my inner landscape, I am also aware of a feeling of hope emerging. This feeling had me thinking thinking about and missing my son Chance. This hopeful feeling started inside me as a question, "Where are you now?"... And came out of my mouth sounding like "wee yoo - wee yoo - oo-ooaah".

I persevered with the idea of jumping from a bass line to a melody, to a harmony, then to some solo motifs, and back again. I started with a simple syncopated little rif...
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DailySing - 39 (3.10.2012)

Posted by Emile Dyer on Sunday, March 11, 2012, In : Daily Sing 
Once again it was late when I finally sang. I thought to change things up and energize myself by starting with made up language, but that didn't work. Not only did I not feel as energized as I wanted to be, I left the made up language behind and started singing. I occasionally threw in words, but that only lasted a few bars before I started reading words out loud randomly as accents to what I was singing. Words on the TV screen, words on the fridge, words on a letter, words on business cards,...
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If you can talk, you can sing


Emile Hassan Dyer I believe that singing is our birthright, and that it is good for our brains, bodies, and spirit. Singing releases oxytocin in the brain, and many studies have shown a correlation of oxytocin with human bonding, increases in trust, feelings of calmness and security, as well as reductions in anxiety. In other words, SINGING IS GOOD FOR YOU! I get high making up music on the spot. I get high(er) when I can do it with several people at once. There's nothing like riding the crest of a creative wave, linked harmonically and rhythmically, supporting, leading, following, creating, coaxing, cajoling, p-l-a-y-i-n-g... THAT'S MY BLISS! Singing for 15 minutes a day means trusting yourself. It means clearing your mind, opening up and discovering what sounds can come out through you, if you allow it. To listen to each of my daily sings, click on the "songs" link on the left in the grey field above the most recent post or on the link at the end of each post.

Categories

My DailySing practice is inspired by Will Hewett's Sing15 practice.

You can learn more about Sing15 at www.willhewett.com.

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"creative wave"percussive lyrical vocal solos melody "richard bona "sing out loud 'vp guy" riffs sounds patterns 4/4 4/4 feel 4/4 time 6/8 6/8 bell 6/8 feel 6/8 time a cappella a cappella thang abandon accented beat accents act of singing actors adaptability addendums aeolian african vocal delivery afro blue afro funk afro-cuban air flow alive ambient apex approach arc arc of the improv architecture arrange arrangements arranging art artless aspect of music atmosphere attacked the singing audience backbeat background hum balance ballad ballad-like bass bass line bass lines bass llne be the sound beat beatbox beatboxing beats berimbaus berzerker bird song birthday birthing the melodies blog blues bluesy body percussion body rhythms bp brain brassy bre bridge bridges burst carlinhos brown catchy tune cd channel chant chants choices choir chops chorus clapping claps clarity classical clave climactic crescendo codification of play cohesion color compose compositions concert conduit 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