Emile

DailySing - 84 (4.24.2012)

April 25, 2012
Well, this DailySing was as different from last night's session as can be. The "IT" that I discovered last night was a wavelength of energy. It's that same energy that "pops" during a screen test or that is referred to as "Pop"by many in the industry. When I listened today, I was reminded of how I let go when I sing in the car. I apparently got so carried away with creating sounds and patterns that I rarely use, that I woke up my wife last night.

Well tonight was much quieter, although just as intensive an exploration. I got into speed and clarity. I did some riffs reminiscent of Richard Bona and tried to keep them stringing along. At high speeds, I have difficulty being clear with my notes and my note placement. I tend to go flat if I am unclear on the note that I'm singing. I then switched to a slow ballad driven melody where I could focus on timbre, clarity, and note placement. Words even found their way into my improv.

Finally, I went back to high speed bass riffs, although I hung out in Jaco Pastorius Alley before launching into my improv which, curiously enough, took me back to Richard Bona Land. Throughout this journey, I could tell that it was easier to stay clear with precision after the slow ballad vocal play.

To listen to DailySing - 84, click here.
 

DailySing - 83 (4.23.2012)

April 24, 2012
Tonight's DailySing was explosively original. 

I found IT! I can't describe IT except to say that IT's a certain concentration of energy focused outward. 

I let go of the reins of my mind, and felt as imagine it would feel like to be a berzerker of ancient Germania. The combination of raw power and freedom expressed in the explosive series of violent clashes is what I am experiencing at this point in my improvisation.

To listen to DailySing - 83, click here.


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DailySing -82 (4.22.2012)

April 23, 2012
One of those days...

I was so exhausted that I fell asleep thrice during my DailySing session. Each time that I was conscious of having fallen asleep, I tried to pull myself together but the need for sleep superseeded all!

To listen to DailySing 82, click here.

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DailySing - 81 (4.21.2012)

April 22, 2012
Almost missed it. I fell asleep and woke up in the nick of time. Groggy and sleepy are how I felt when I started, yet as I listen to the playback, the session was full of memorable moments, humour and unexpected choices.

It was one of those times when I stayed with a riff and explored all around it while always coming back to the main melody. I played with rhythm and even left the beat behind at one point. This felt satisfying...

To listen to DailySing - 81, click here.

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DailySing - 80 (4.20.2012)

April 21, 2012
So much for getting to my DailySing in the morning on the balcony. Maybe tomorrow...

Tonight's session was based on a riff I came up with many years ago in college, before I considered this a cappella thang. I revisited whistling the melody and its variations, as well as a vocal percussion interlude, and finally juxtaposed wildly constrasting rhythms to help me launch explorations I might not ordinarily gravitate towards.

Unexpectedly, I felt trapped by this riff. It was ingrained so deeply tha...
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DailySing - 79 (4.19.2012)

April 20, 2012
Tonight's DailySing felt like it was all over the place. My improv wasn't exciting to me because I felt out of sorts. I felt out of sorts because I tried to record several times earlier in the day, but couldn't because of technical difficulties. I felt inspired then, but by the time I got it fixed, I wasn't in the mood to sing anything at all.

I did do some experimenting with whistling. I whistled the main melody I was working with, then added my voice at the same time. I sound like a "musical...
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DailySing - 78 (4.18.2012)

April 19, 2012
Today is my birthday and I find myself waiting to be picked up to go on a birthday adventure. Since my ride is late, I wander over to the little park on the corner to wait and after reading a while, decide to do my DailySing.

The city sounds of traffic, of a nearby construction site, of birds in the park, all create a sonic wall in the background.
The sun on my face warms me and puts me in a grateful place, allowing me to bring my inner landscape to the fore. This means that I gave voice and so...
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DailySing - 77 (4.7.2012)

April 18, 2012
You'd think that I'd try to sing at different times during the day, but it's not been working out that way. However, I have discovered singing in the Element. In the car I have more freedom to let loose and sing big... It's fun!

Tonight's DailySing went places I hadn't expected to go. I was inspired earlier this evening by two events. First, by a friend who's working with autistic kids, using horses to calm, ground and reconnect them. The second, by two of my teachers who have received Sri Chi...
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DailySing - 76 (4.16.2012)

April 17, 2012
Feeling run down and not like singing at all, but it' s turned out to be invigorating!

I do remember that at one point I fell asleep, but that comes later in the playback. So far I sound inspired. I'd listen to this if it were on a CD. That should be my project, to create a CD from all improvized pieces, then go back, overdub and flesh them all out. 

The way I'm singing tonight, it could work... Inspired creativity in the moment. I start with a riff and explore it, move away from it, come back ...
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DailySing - 75 (4.15.2012)

April 16, 2012
I found tonight that one of the reasons I like doing the DailySing in the car is that I can really let go. Maybe one of these days I'll explore c-r-a-z-y and "go off", encased in my relatively soundproof silver box on wheels.

Again, I started with one basic riff, stayed with it, played with it, went away on multiple solos and came back to it each time, explored inserting vocal percussion into the melody and other parts of the jam. At one point, I adapted the Happy Birthday song to it and sang ...
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If you can talk, you can sing


Emile Hassan Dyer I believe that singing is our birthright, and that it is good for our brains, bodies, and spirit. Singing releases oxytocin in the brain, and many studies have shown a correlation of oxytocin with human bonding, increases in trust, feelings of calmness and security, as well as reductions in anxiety. In other words, SINGING IS GOOD FOR YOU! I get high making up music on the spot. I get high(er) when I can do it with several people at once. There's nothing like riding the crest of a creative wave, linked harmonically and rhythmically, supporting, leading, following, creating, coaxing, cajoling, p-l-a-y-i-n-g... THAT'S MY BLISS! Singing for 15 minutes a day means trusting yourself. It means clearing your mind, opening up and discovering what sounds can come out through you, if you allow it. To listen to each of my daily sings, click on the "songs" link on the left in the grey field above the most recent post or on the link at the end of each post.

Categories

My DailySing practice is inspired by Will Hewett's Sing15 practice.

You can learn more about Sing15 at www.willhewett.com.

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"creative wave"percussive lyrical vocal solos melody "richard bona "sing out loud 'vp guy" riffs sounds patterns 4/4 4/4 feel 4/4 time 6/8 6/8 bell 6/8 feel 6/8 time a cappella a cappella thang abandon accented beat accents act of singing actors adaptability addendums aeolian african vocal delivery afro blue afro funk afro-cuban air flow alive ambient apex approach arc arc of the improv architecture arrange arrangements arranging art artless aspect of music atmosphere attacked the singing audience backbeat background hum balance ballad ballad-like bass bass line bass lines bass llne be the sound beat beatbox beatboxing beats berimbaus berzerker bird song birthday birthing the melodies blog blues bluesy body percussion body rhythms bp brain brassy bre bridge bridges burst carlinhos brown catchy tune cd channel chant chants choices choir chops chorus clapping claps clarity classical clave climactic crescendo codification of play cohesion color compose compositions concert conduit 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